Ep. 38 - Helen Schulman on Lucky Dogs, P.S. and Gordon Lish

Ep. 38 - Helen Schulman on Lucky Dogs, P.S. and Gordon Lish

As a renowned author and screenwriter, Helen Schulman’s work makes the isolated feel less alone. Her latest novel, Lucky Dogs, is a perfect example in its deep navigation of themes like mental illness, social media, duplicity and betrayal. In her novels and short story collections, which include A Day at the Beach, This Beautiful Life, Come with Me and The Revisionist, she explores topics like tragedy, technology, lost love and escape, affected by the lens of her own unique experiences. She wrote the screenplay adaptation of her acclaimed novel, P.S., which was made into a feature film starring Laura Linney, Topher Grace, Gabriel Byrne, Paul Rudd and Marcia Gay Harden. And she co-edited, along with Jill Bialosky, the anthology Wanting A Child. Her fiction and nonfiction have appeared in such places as Vanity Fair, Time, Vogue, GQ, The New York Times Book Review and The Paris Review. Helen is Fiction Chair of the Creative Writing Program at The New School, where she is a tenured Professor. She also serves as Executive Director for WriteOn NYC, a fellowship program that provides free creative writing instruction to underserved New York City school children. In our conversation, we discussed her take on the evolution of New York City throughout the years; her experiences as a student and professor at Columbia, where P.S. was shot, and The New School; being taught by Gordon Lish; the seeds of her new book; and her friendship with Peter Farrelly. Lucky Dogs was published by Knopf/Random House, and will be released June 6, 2023, wherever you buy your books; it is available for pre-order now.

Opening credits: 1in10_Varia - a million ways I Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0); Noaidi - angelville I Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Closing credits: voyageurs - The Distance I Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)

Ep. 37 - Joel Stein on Story of the Week, I Love the '80s and Martha Stewart

Ep. 37 - Joel Stein on Story of the Week, I Love the '80s and Martha Stewart

After finding his voice as a columnist for The Stanford Daily, journalist, commentator and podcast host Joel Stein headed off to New York City to begin his career as a fact-checker and writer at Martha Stewart Living. Since then, he has written for publications such as Time Out New York; Time Magazine, where he authored over 20 cover stories throughout a 20 year period; Entertainment Weekly; and the Los Angeles Times. Throughout his career, he has appeared as a commentator on VH1’s I Love the ‘80s; developed television shows like Crumbs and Hey Joel; and taught a course on humor writing at Princeton. His books, Man Made: A Stupid Quest for Masculinity and In Defense of Elitism: Why I'm Better Than You and You Are Better Than Someone Who Didn't Buy This Book, have analyzed topics like manhood; populism; and factors which act as a barometer for the word “elite,” and are acclaimed. In 2009, he wrote for the The 81st Annual Academy Awards, collaborating with host Hugh Jackman. In our interesting conversation, we discussed topics which ranged from parenthood to masculinity, and of course, the great Martha Stewart. We also discussed his podcast, Story of the Week, and why he refers to himself as a journalist in quotes.

Opening Credits: Zero V - Friendship I Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0); We vs. Death - The Things You Did I Naamsvermelding-NietCommercieel-GelijkDelen 3.0 Nederland (CC BY-NC-SA 3.0 NL). Closing Credits: Nafta - Aurora Australis (instr.) I Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)

Ep. 36 - Lauren Wolkstein on Dead Ringers, A Friend of the Family and The Strange Ones

Ep. 36 - Lauren Wolkstein on Dead Ringers, A Friend of the Family and The Strange Ones

One of the signatures which differentiates filmmaker Lauren Wolkstein’s work is adaptability through medium. Lauren’s approach toward narrative and storytelling harbors a rare versatility, which allows her to nearly seamlessly transition from film to television; short to feature; thriller to drama; and dystopian commentary to historical narrative. She harnessed her talent and developed her ability as a screenwriter at Columbia’s MFA program, and made short films, like Cigarette Candy, which pushed the boundaries of trauma exploration. Her debut feature, The Strange Ones (Alex Pettyfer; James Freedson-Jackson), which she co-directed with Christopher Radcliff, was based on the short film of the same name and premiered at South by Southwest in 2017. One of John Waters’s Top 3 films of 2017, the film, which dealt with themes like obsessive love, sexual abuse and trauma, spoke to her multifaceted ability to combine complex mental health themes with dynamic performances. In television, Lauren has directed episodes of Cloak & Dagger (Marvel); Dare Me (USA Network); and Y: The Last Man, starring Diane Lane, for FX. She directed the finale of the renowned mini-series, A Friend of the Family, starring Anna Paquin, Jake Lacy, Colin Hanks and McKenna Grace, for Peacock in 2022. And she recently directed episodes of Dead Ringers, a television adaptation of the David Cronenberg classic film of the same name, which is set to premiere on Amazon Prime on April 21, 2023; the series stars Rachel Weisz as twin gynecologists, reprising the Jeremy Irons role in the original film. In our conversation, we discussed the touchpoint we both share in being Columbia and Duke alums; growing up in Baltimore; shooting on film; mental health themes; and the continuity of serving as Producing Director on Queen Sugar for Oprah Winfrey’s network for multiple seasons.

Opening Credits: Ketsa - 10 Can-t-touch-me I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); Ketsa - 01 Test-Case I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); Closing Credits: Ketsa - 05 Eternal-Funk-Palace I Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) I https://creativecommons.org/licenses/by-nc-nd/4.0/

Ep. 35 - Selina Fillinger on The Morning Show, POTUS and Faceless

Ep. 35 - Selina Fillinger on The Morning Show, POTUS and Faceless

Selina Fillinger is the playwright behind renowned theatrical works like POTUS: Or, Behind Every Great Dumbass are Seven Women Trying To Keep him Alive; Something Clean; Faceless; and the Armor plays: Cinched/Strapped. The former marked her Broadway debut at the Shubert Theatre in 2022; was directed by Broadway legend, Susan Stroman; and led to three Tony Award nominations, including Best Performance by an Actress in a Featured Role nods for both Julie White and Rachel Dratch. She also wrote for Season 3 of the acclaimed Apple TV+ program, The Morning Show (Jennifer Aniston; Billy Crudup; Reese Witherspoon), set to premiere in 2023. In our conversation, we discussed her Oregon upbringing; the juxtaposition of light and dark themes in her plays; juggling multiple projects at once; and her journey to being one of the most unique, talented and versatile artists in the landscape of television and theatre.

Opening Credits: Checkie Brown - Clooney (CB 232) I Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0); HoliznaPATREON - Feels I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); Closing Credits: Ketsa - A Little Bit I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

Ep. 34 - Josh Pais on Joker, Committed Impulse and Ray Donovan

Ep. 34 - Josh Pais on Joker, Committed Impulse and Ray Donovan

The dynamic nature of actor Josh Pais’s approach toward constructing performance; harnessing creativity; and retaining the spontaneity associated with each moment on-screen is part of his signature. With over 100 roles to his credit, the Lower East Side native grew up in a culturally vibrant, evolving environment which led him to cultivate his own unique sense of identity as one of the finest performers in the film and television industry. His remarkable filmography includes memorable performances in Safe Men, in which he acted among contemporaries like Sam Rockwell, Steve Zahn and Peter Dinklage; The Station Agent, penned and directed by one of his best friends, Tom McCarthy; the brilliant Lynn Shelton’s emotional masterpiece, Touchy Feely; Nicole Holofcener’s classically independent, Please Give, with Catherine Keener; and Charlie Kaufman’s directorial opus, Synecdoche, NY, acting opposite Phillip Seymour Hoffman. Along the way came multiyear arcs in television shows like Ray Donovan, alongside Liev Schreiber; and memorable scenes with Joaquin Phoenix in the seminal Joker (Todd Phillips; Scott Silver). You can immerse yourself into the techniques he has developed and experienced throughout his prolific career by visiting Committed Impulse (committedimpulse.com), and find him on his Instagram (@JoshPais). In our conversation, we discussed his documentary, 7th Street, describing the state of culture which governed his Alphabet City upbringing; collaborating with some of the best directors on the planet; and acting on projects which gave meaning to the landscape of film. His latest projects include Nicole Holofcener’s You Hurt My Feelings (David Cross; Amber Tamblyn; Julia Louis-Dreyfus) and David E. Kelley’s upcoming mini series, A Man in Full, with Regina King directing (Jeff Daniels; Bill Camp).

Opening Credits: Bureaucrat & The Conspirators - Yankees I Attribution-NonCommercial-ShareAlike 3.0 United States (CC BY-NC-SA 3.0 US); The Rope River Blues Band - Wrist Lit I Attribution-NonCommercial-ShareAlike 3.0 United States (CC BY-NC-SA 3.0 US); Closing Credits: POVALISHIN DIVISION - Сестра I Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)

Ep. 33 - Shrimoyee Chakraborty on India Bites, Calcutta Street and Chicken Curry

Ep. 33 - Shrimoyee Chakraborty on India Bites, Calcutta Street and Chicken Curry

Host of the Tastemade Travel docuseries, India Bites on Apple TV, Chef Shrim Chakraborty transcends the “chop and chat” model by placing her own stamp on the food travel show genre. From being a talk show host, to honing her culinary craft in graduate school in Manchester, to opening her own restaurant, Calcutta Street, in Britain after a series of pop-ups, Shrim uses her versatile talent to shed light on a range of issues like the Indian middle class; the stereotypes present among Indian food; and taking ownership of the cultural narrative. Her food blog, Eat With Me Shrimoyee, features recipes, cultural commentary and a snapshot into the current tastes governing her plate at the time. She has been featured in The Independent, the Financial Times, the Telegraph and Grazia, and her restaurant Calcutta Street has been lauded by food critics across the globe. In our conversation, we discussed her Indian upbringing; growing up with a philosopher/chef mother; pushing boundaries with food; and creating original projects using the media of food and conversation.

Opening Credits: Checkie Brown - Funky Banane Nightclub (CB 202) I Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0); Alex Figueira - Silky I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); Closing Credits: Ketsa - Don't Worry I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

Ep. 32 - Maureen A. Ryan on Becoming, Man on Wire and James Marsh

Ep. 32 - Maureen A. Ryan on Becoming, Man on Wire and James Marsh

Maureen Ryan is a veteran producer who has made a number of seminal, impactful films throughout her versatile career. Her several documentary collaborations with acclaimed British director James Marsh (The Theory of Everything) are among them, and began with Wisconsin Death Trip (1999). Constructed with a film-noir grittiness, the film surveyed a series of grizzly murders which took place in Black River Falls, a small remote town, in the 1800s, and was shortlisted for an Academy Award. She herself was nominated for a BAFTA award. Several works followed, including The Team (2005), which she produced, observing a homeless soccer team which travels to compete in Austria; the BAFTA nominated Project Nim (2011); and the iconic Man on Wire (2008), a hybrid-documentary about tightrope walker Phillipe Petit as he prepared to walk across the World Trade Center in 1974, which won the Academy Award for Best Documentary Feature Film and the BAFTA Award for Best British Film in addition to sweeping the “Big Four” critics awards the same year. Documentaries Maureen has produced include The Gates (2007) and Bomber (2009). Recently, she co-produced Becoming (2020), following Michelle Obama on the book tour circuit; the film was nominated for four Emmy Awards, and is available on Netflix. Also on Netflix is the comedic documentary Dick Johnson is Dead (2020), which Maureen co-produced; premiered at Sundance; won an Emmy Award, and was also shortlisted for an Academy Award. She has been a professor at Columbia University for over 20 years, and her essential publication — Producer to Producer: A Step-by-Step Guide to Low Budget Independent Film Producing (2nd Edition), is available on Amazon and all the literary outlets. In our discussion, we spoke about Maureen’s unique, prolific career marked by longevity; collaborating with moving pieces in film; differentiating film from a practical and theoretical framework; and country music.

Opening Credits: KieLoBot - Golden Pineapple Funk I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); KieLoBot - Hippie Funghi Policeman Downhill I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); Closing Credits: Jason Shaw - TRAVEL LIGHT I Attribution 3.0 United States (CC BY 3.0 US)

Ep. 31 - Avy Kaufman on Succession, Capote and Steven Spielberg

Ep. 31 - Avy Kaufman on Succession, Capote and Steven Spielberg

Avy Kaufman’s filmography includes projects which changed the landscape of cinema. The three-time Emmy winning casting director has worked on over 300 films and television shows including The Sixth Sense, Artificial Intelligence, Brokeback Mountain, American Gangster and Capote. In television, she has cast acclaimed shows including Succession, Mare of Easttown, Damages and Dopesick. In our conversation, we discussed her Atlanta upbringing and concurrent interest in ballet; working with Steven Spielberg, Jodie Foster and Ang Lee; as well as how casting continues to evolve in a post-pandemic world.

Opening Credits: Arkana Music - Through Sacco's Eyes I Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0); Lisa Hammer - Jazzy Inquisitors I Attribution-ShareAlike 4.0 International (CC BY-SA 4.0); Closing Credits: Ketsa - Sunnyside I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0).

Ep. 30 - George Stroumboulopoulos on World Food Programme, The Clash, and Larry King

Ep. 30 - George Stroumboulopoulos on World Food Programme, The Clash, and Larry King

As a globally renowned television and radio personality, broadcaster, filmmaker and activist George Stroumboulopoulos believes retaining credibility in the creative process is an important tenet to live by. Throughout the past 30 years, he has forayed successfully into his vast endeavors in entertainment and beyond, transcending “pop-culturehood” by sustaining a household name armed with the man he knows most intimately — himself. After carving a reputation as a stellar interviewer through his several years cutting his teeth in Canadian radio, George was selected to host several shows on MuchMusic, Canada’s flagship music entertainment channel, including The Punk Show, The NewMusic, MuchLOUD and MuchNews. He also hosted the reality show The One: Making a Music Star on ABC. Cementing his supreme interview ability to complement his innate talent as a seasoned host, he then hosted his own primetime talk show, the eight-time Gemini Award winning George Stroumboulopoulos Tonight (formerly The Hour) on Canada's national broadcaster, the CBC for 10 years. He came to Los Angeles to host Stroumboulopoulos on CNN, and then continued to anchor shows and specials in Canada including Hockey Night in Canada, Canada’s biggest television show. George’s punk rock philosophy is manifested through his significant, consistent philanthropic and charitable acts of advocacy. In addition to being Canada's first Goodwill Ambassador for the UN agency World Food Programme, he also started the George Stroumboulopoulos Music Therapy Scholarship helping fund education for music therapists. He also works closely with the organizations Innocence Canada, Canadian Drug Policy Coalition, the Michael J. Fox Foundation and is on the board of Artists for Peace and Justice Canada. At present, he hosts his own Apple Music radio show, STROMBO, which is heard in 160+ countries and has over 70 million subscribers around the world; he is also the curator of Strombo's Lit for Apple Books. 

George has an Honorary Doctorate of Laws at the University of Calgary and was one of the first three Canadians recognized by the World Economic Forum as a Young Global Leader. Canada's largest daily, The Toronto Star stated that George has built "one of the most prestigious broadcasting careers in our nation's history."

In our conversation, we discussed his definition of “punk;” his recent visit to Syria as part of the World Food Programme; his Western-Toronto upbringing which funneled the source of cultivating his immense engagement with each project he immerses himself into; maintaining his individuality and autonomy in the face of corporations; his alliance with Larry King; and selecting music for STROMBO.

Opening Credits: HoliznaCC0 - Punk I CC0 1.0 Universal (CC0 1.0) Public Domain Dedication; Dilating Times - Golden Girl I Attribution-NonCommercial 4.0 International (CC BY-NC 4.0); Closing Credits: Taylor Poe - Unknown Artist I Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)

Ep. 29 - Anna Maria Cianciulli on Hamlet/Horatio, Stay and Sanford Meisner

Ep. 29 - Anna Maria Cianciulli on Hamlet/Horatio, Stay and Sanford Meisner

Anna Maria Cianciulli pushes the boundaries of filmmaking as an actress, director, writer and artist. Her acclaimed performance as Queen Gertrude of Denmark in Hamlet/Horatio, a feature film adaptation, was released theatrically in the summer of 2021 and is now streaming on all the major film platforms. The film has received Best Film awards at Los Angeles Film Awards, New York Cinematography Awards and Southeast Regional Film Festival; and Best Experimental Film at the Rome Independent Prisma Awards. As an actress, she has been featured in several colorful roles, which include Filomena Bene in Lifetime Network’s Stealing Chanel; Sara in Change the World; and Lynne in Maladaptive Behavior.

As director, her award-winning short, 33 Breaths, was shot entirely in one take and was a Single-Take Challenge finalist in 2020. Stay, which she wrote and directed, takes place in a New York City apartment comprised of a cultural diverse family of strangers, and was included in the Official Selection of Manhattan, Central Florida, and NewFilmmakers New York film festivals, and complement her other films The War in Heaven; and Bedtime. She also co-wrote Life After Her, which won the Platinum Award at the NYC Indie Film Awards in 2017, and was nominated for Best Original Screenplay and Best Actress in a Lead Role in the same year.

Anna’s work as a live performance and multimedia artist is vast, and consists of several installations and exhibitions such as Fashion Independence at Vanderbilt Hall; and Sa Coia, which combined dance, theatre and video projection and takes place in the island of Sardinia in 1945. As Creative Director at BdA, she has collaborated with Domenica Cameron-Scorsese, Michael and Kevin Bacon.

As an acting professor, she has immersed her students in the Sanford Meisner technique, of which she has developed significant expertise; in fact, Mr. Meisner assigned her the rights to bring forth his seminal book, On Acting, in an Italian edition. She worked with Tony Danza in his rehearsals for the Joseph Gordon-Leavitt film, Don Jon. She is currently an Adjunct Assistant Professor of Film at Columbia University. In our conversation, we discuss the Italian experience in the wave of the Pandemic; her journey to film in New York City; the process of working with Sanford Meisner and developing a unique understanding of the process of acting; and the mindset behind her several films as an actress and filmmaker.

Opening Credits: Ketsa - 15 Waiting-Room I Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0); 1st Contact - Unbiased View I Attribution 4.0 International (CC BY 4.0); Closing Credits: HoliznaCC0 - 4 (jazz) I CC0 1.0 Universal (CC0 1.0) Public Domain Dedication